The Tazaad Chanderi Kurta Set does not negotiate between black and white. It lets them argue — and the argument is the design.
Constructed from 80gm black silk chanderi with white silk organza panelling, the kurta operates as a study in positive-negative reversal. Black chanderi forms the sleeves and side structure; white organza cuts through the centre front as a vertical panel, creating a graphic division that reads as architectural rather than decorative. The embroidery follows the same logic: black thread on the ivory organza panel, white thread on the black chanderi sections — each fabric embroidered in the other's color, so that the contrast never resolves and the eye keeps moving.
Pita ribbon-work in gold traces select outlines throughout, introducing a third metallic register that prevents the composition from becoming merely graphic and reminds you that this is, first and always, handcraft.
Black khaitan silk pants with white organza hem detailing mirror the kurta's construction at a smaller scale. The organza-chanderi dupatta — ivory ground, black scattered butis, four-sided black thread embroidery — completes the inversion: white where the pants are black, embroidered in the color the kurta began with.
Reach for it at Diwali evenings, contemporary wedding celebrations, urban festive gatherings, and every occasion where Indian craft deserves a thoroughly modern frame.
Constructed from 80gm black silk chanderi with white silk organza panelling, the kurta operates as a study in positive-negative reversal. Black chanderi forms the sleeves and side structure; white organza cuts through the centre front as a vertical panel, creating a graphic division that reads as architectural rather than decorative. The embroidery follows the same logic: black thread on the ivory organza panel, white thread on the black chanderi sections — each fabric embroidered in the other's color, so that the contrast never resolves and the eye keeps moving.
Pita ribbon-work in gold traces select outlines throughout, introducing a third metallic register that prevents the composition from becoming merely graphic and reminds you that this is, first and always, handcraft.
Black khaitan silk pants with white organza hem detailing mirror the kurta's construction at a smaller scale. The organza-chanderi dupatta — ivory ground, black scattered butis, four-sided black thread embroidery — completes the inversion: white where the pants are black, embroidered in the color the kurta began with.
Reach for it at Diwali evenings, contemporary wedding celebrations, urban festive gatherings, and every occasion where Indian craft deserves a thoroughly modern frame.
Size Guide
Measuring Guide
Measuring Guide
Delivery in 15-20 Days
Secure payment
Shipping calculated at checkout.
The Tazaad Chanderi Kurta Set does not negotiate between black and white. It lets them argue — and the argument is the design.
Constructed from 80gm black silk chanderi with white silk organza panelling, the kurta operates as a study in positive-negative reversal. Black chanderi forms the sleeves and side structure; white organza cuts through the centre front as a vertical panel, creating a graphic division that reads as architectural rather than decorative. The embroidery follows the same logic: black thread on the ivory organza panel, white thread on the black chanderi sections — each fabric embroidered in the other's color, so that the contrast never resolves and the eye keeps moving.
Pita ribbon-work in gold traces select outlines throughout, introducing a third metallic register that prevents the composition from becoming merely graphic and reminds you that this is, first and always, handcraft.
Black khaitan silk pants with white organza hem detailing mirror the kurta's construction at a smaller scale. The organza-chanderi dupatta — ivory ground, black scattered butis, four-sided black thread embroidery — completes the inversion: white where the pants are black, embroidered in the color the kurta began with.
Reach for it at Diwali evenings, contemporary wedding celebrations, urban festive gatherings, and every occasion where Indian craft deserves a thoroughly modern frame.
Constructed from 80gm black silk chanderi with white silk organza panelling, the kurta operates as a study in positive-negative reversal. Black chanderi forms the sleeves and side structure; white organza cuts through the centre front as a vertical panel, creating a graphic division that reads as architectural rather than decorative. The embroidery follows the same logic: black thread on the ivory organza panel, white thread on the black chanderi sections — each fabric embroidered in the other's color, so that the contrast never resolves and the eye keeps moving.
Pita ribbon-work in gold traces select outlines throughout, introducing a third metallic register that prevents the composition from becoming merely graphic and reminds you that this is, first and always, handcraft.
Black khaitan silk pants with white organza hem detailing mirror the kurta's construction at a smaller scale. The organza-chanderi dupatta — ivory ground, black scattered butis, four-sided black thread embroidery — completes the inversion: white where the pants are black, embroidered in the color the kurta began with.
Reach for it at Diwali evenings, contemporary wedding celebrations, urban festive gatherings, and every occasion where Indian craft deserves a thoroughly modern frame.