The Shabnam Kurta Set is the collection's breath of cool air — and it earns that distinction through fabric alone.
Woven from pure tissue and lime linen in a combination unique to this piece, the kurta carries an all-over horizontal stripe worked directly into the weave — not printed, not embroidered, simply present in the structure of the cloth. The tissue brings translucency and luminosity; the linen brings matte texture and quiet weight. Together they produce a fabric that reads as watercolor: mint and ivory shifting with every movement, sheer enough to layer over the included cotton slip, opaque enough to stand as a garment in its own right.
The embellishment is deliberately understated — scattered floral motifs in soft blue-lavender thread worked into the lower quarter of the kurta, visible only when the light and the proximity are right. Above them, a zari patchwork appliqué at the hem border closes the composition in metallic warmth. Two techniques, two registers, placed with enough restraint that neither announces itself — the embroidery rewards attention rather than demanding it.
The antifit silhouette — wide, batwing-sleeved, with a center back split — moves with the generosity the tissue demands. Glazed cotton pants with linen and tissue detailing at the hem ground the ethereal above with just enough structure.
Reach for it at Eid mornings, destination weddings, festive brunches, resort celebrations, and every occasion that belongs to the coolest, lightest hours of the day.
Woven from pure tissue and lime linen in a combination unique to this piece, the kurta carries an all-over horizontal stripe worked directly into the weave — not printed, not embroidered, simply present in the structure of the cloth. The tissue brings translucency and luminosity; the linen brings matte texture and quiet weight. Together they produce a fabric that reads as watercolor: mint and ivory shifting with every movement, sheer enough to layer over the included cotton slip, opaque enough to stand as a garment in its own right.
The embellishment is deliberately understated — scattered floral motifs in soft blue-lavender thread worked into the lower quarter of the kurta, visible only when the light and the proximity are right. Above them, a zari patchwork appliqué at the hem border closes the composition in metallic warmth. Two techniques, two registers, placed with enough restraint that neither announces itself — the embroidery rewards attention rather than demanding it.
The antifit silhouette — wide, batwing-sleeved, with a center back split — moves with the generosity the tissue demands. Glazed cotton pants with linen and tissue detailing at the hem ground the ethereal above with just enough structure.
Reach for it at Eid mornings, destination weddings, festive brunches, resort celebrations, and every occasion that belongs to the coolest, lightest hours of the day.
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The Shabnam Kurta Set is the collection's breath of cool air — and it earns that distinction through fabric alone.
Woven from pure tissue and lime linen in a combination unique to this piece, the kurta carries an all-over horizontal stripe worked directly into the weave — not printed, not embroidered, simply present in the structure of the cloth. The tissue brings translucency and luminosity; the linen brings matte texture and quiet weight. Together they produce a fabric that reads as watercolor: mint and ivory shifting with every movement, sheer enough to layer over the included cotton slip, opaque enough to stand as a garment in its own right.
The embellishment is deliberately understated — scattered floral motifs in soft blue-lavender thread worked into the lower quarter of the kurta, visible only when the light and the proximity are right. Above them, a zari patchwork appliqué at the hem border closes the composition in metallic warmth. Two techniques, two registers, placed with enough restraint that neither announces itself — the embroidery rewards attention rather than demanding it.
The antifit silhouette — wide, batwing-sleeved, with a center back split — moves with the generosity the tissue demands. Glazed cotton pants with linen and tissue detailing at the hem ground the ethereal above with just enough structure.
Reach for it at Eid mornings, destination weddings, festive brunches, resort celebrations, and every occasion that belongs to the coolest, lightest hours of the day.
Woven from pure tissue and lime linen in a combination unique to this piece, the kurta carries an all-over horizontal stripe worked directly into the weave — not printed, not embroidered, simply present in the structure of the cloth. The tissue brings translucency and luminosity; the linen brings matte texture and quiet weight. Together they produce a fabric that reads as watercolor: mint and ivory shifting with every movement, sheer enough to layer over the included cotton slip, opaque enough to stand as a garment in its own right.
The embellishment is deliberately understated — scattered floral motifs in soft blue-lavender thread worked into the lower quarter of the kurta, visible only when the light and the proximity are right. Above them, a zari patchwork appliqué at the hem border closes the composition in metallic warmth. Two techniques, two registers, placed with enough restraint that neither announces itself — the embroidery rewards attention rather than demanding it.
The antifit silhouette — wide, batwing-sleeved, with a center back split — moves with the generosity the tissue demands. Glazed cotton pants with linen and tissue detailing at the hem ground the ethereal above with just enough structure.
Reach for it at Eid mornings, destination weddings, festive brunches, resort celebrations, and every occasion that belongs to the coolest, lightest hours of the day.