The Tota Katab Kurta Set makes the case that a single color and a single craft decision can be enough.
The color is parrot green — pure chinya silk in a lime so vivid it needs no embroidery to announce itself. The chinya's characteristic weight and matte-luster carry the green with the kind of substance that lighter fabrics cannot, the kaftan silhouette moving with body and intention rather than floating.
The craft decision is katab: geometric chanderi patchwork appliqué inlaid at both lower hem corners — cross-flower forms in black and white chanderi, their surface threaded with gold zari in a crosshatch pattern that references both the metallic and the graphic simultaneously. The appliqué motifs are not surface decorations; they are pieces of fabric set into the kurta's hem, the boundary between ground and appliqué a construction line rather than an embroidery line.
The black-and-white chevron printed chanderi pants complete the set — their geometric print in direct conversation with the patchwork above, the monochrome anchoring the parrot green without diminishing it.
Reach for it at Diwali parties, sangeet evenings, destination weddings, festive cocktails, and every occasion where green — worn with this much confidence — becomes the only color worth talking about.
The color is parrot green — pure chinya silk in a lime so vivid it needs no embroidery to announce itself. The chinya's characteristic weight and matte-luster carry the green with the kind of substance that lighter fabrics cannot, the kaftan silhouette moving with body and intention rather than floating.
The craft decision is katab: geometric chanderi patchwork appliqué inlaid at both lower hem corners — cross-flower forms in black and white chanderi, their surface threaded with gold zari in a crosshatch pattern that references both the metallic and the graphic simultaneously. The appliqué motifs are not surface decorations; they are pieces of fabric set into the kurta's hem, the boundary between ground and appliqué a construction line rather than an embroidery line.
The black-and-white chevron printed chanderi pants complete the set — their geometric print in direct conversation with the patchwork above, the monochrome anchoring the parrot green without diminishing it.
Reach for it at Diwali parties, sangeet evenings, destination weddings, festive cocktails, and every occasion where green — worn with this much confidence — becomes the only color worth talking about.
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The Tota Katab Kurta Set makes the case that a single color and a single craft decision can be enough.
The color is parrot green — pure chinya silk in a lime so vivid it needs no embroidery to announce itself. The chinya's characteristic weight and matte-luster carry the green with the kind of substance that lighter fabrics cannot, the kaftan silhouette moving with body and intention rather than floating.
The craft decision is katab: geometric chanderi patchwork appliqué inlaid at both lower hem corners — cross-flower forms in black and white chanderi, their surface threaded with gold zari in a crosshatch pattern that references both the metallic and the graphic simultaneously. The appliqué motifs are not surface decorations; they are pieces of fabric set into the kurta's hem, the boundary between ground and appliqué a construction line rather than an embroidery line.
The black-and-white chevron printed chanderi pants complete the set — their geometric print in direct conversation with the patchwork above, the monochrome anchoring the parrot green without diminishing it.
Reach for it at Diwali parties, sangeet evenings, destination weddings, festive cocktails, and every occasion where green — worn with this much confidence — becomes the only color worth talking about.
The color is parrot green — pure chinya silk in a lime so vivid it needs no embroidery to announce itself. The chinya's characteristic weight and matte-luster carry the green with the kind of substance that lighter fabrics cannot, the kaftan silhouette moving with body and intention rather than floating.
The craft decision is katab: geometric chanderi patchwork appliqué inlaid at both lower hem corners — cross-flower forms in black and white chanderi, their surface threaded with gold zari in a crosshatch pattern that references both the metallic and the graphic simultaneously. The appliqué motifs are not surface decorations; they are pieces of fabric set into the kurta's hem, the boundary between ground and appliqué a construction line rather than an embroidery line.
The black-and-white chevron printed chanderi pants complete the set — their geometric print in direct conversation with the patchwork above, the monochrome anchoring the parrot green without diminishing it.
Reach for it at Diwali parties, sangeet evenings, destination weddings, festive cocktails, and every occasion where green — worn with this much confidence — becomes the only color worth talking about.